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More from Today's Events
- Apr 74:15 PMPowers of Translation: Hindu Mythology, Fantasy Literature,and the Language of BelongingToday's Events | Lawrence Hall, 105
Dr. Nell Shapiro Hawley, Postdoctoral Fellow in Religion at VassarStrange languages, superpowers, and otherworldly quests are beloved tropes in coming-of-age fantasy literature. The Aru Shah novels (Disney Hyperion, 2018-22), a bestselling fantasy series written by Roshani Chokshi, repurpose these genre expectations in order to allegorize second-generation American Hindu adolescence today.Here the heroine’s discovery of her superpowers is explicitly tied to a Hindu mythological world that is both strange and familiar to her. Through Aru’s complex relationship with language—her muted ability to understand Indian languages, but her deep intimacy with the stories of Hindu myth—the novels seek to frame meaningful Hindu knowledge as subjective, emotional, and interpersonal.Nell Shapiro Hawley is a scholar of South Asian religions, primarily Hinduism. Her work addresses popular religious movements, gender and performance studies, and interactions between the classical and the contemporary. A longstanding area of focus has been the text and performance traditions of the Sanskrit epic Mahabharata. - Apr 74:30 PMCloud War: Networked Killing in Israel/PalestineToday's Events | Alumni Hall, 111
Like most contemporary wars, Israel’s bombardment of Gaza is enabled by the algorithmic innovations of the day. In armored bases in southern Israel, intelligence soldiers cull through user-friendly interfaces displaying automatically generated recommendations of where and when the bombs should fall. Military heads, emulating Silicon Valley founders, brag innovations in AI have allowed them to build their killing capacities to scale. How did we get here? My talk lays bare a vast algorithmic supply chain undergirding war today. I thread together ethnographic research with Israeli intelligence veterans and Silicon Valley workers to provide an anthropological portrait of the pedestrian labor driving automated warfare: from Google technicians tinkering with facial recognition algorithms determining who is detained at makeshift checkpoints in Gaza City to reservists in Tel Aviv developing the speech to text software informing targeted strikes. In meditating on those bound up in warfare’s catastrophic effects, I emphasize how many more might play a role in demanding otherwise.Sophia Goodfriend is a post-doctoral fellow at the Harvard Kennedy School’s Middle East Initiative. She received her doctorate in Cultural Anthropology from Duke University in June 2024. With years of experience reporting and writing from Israel/Palestine, Sophia’s academic research and journalistic writing have been published across a range of publications, including Foreign Policy, the London Review of Books, the Baffler, the International Journal of Middle East Studies, and the Journal of Palestine Studies. Sophia is a regular contributor to 972 Magazine and is finishing two separate book projects on automated warfare in Israel and Palestine.This lecture is co-sponsored by the Department of Computer Science and is part of the 24-25 Digital War speaker series organized by the Peace and Conflict Studies Program. - Apr 8All dayCourse Registration for Fall 2025 TermToday's Events
April 7-11. Please see the course registration web page for schedule. - Apr 89:30 AMUnraveled: Labor and Meaning Behind WeavingToday's Events | Alumni Hall, 2nd floor
This exhibition, curated by 10 students in the Fall 2024 semester of MUSE 300: Museum Curating, features the themes of textiles and weaving. Showcasing works from the Longyear Museum of Anthropology’s basket and world textile collections, this exhibition explores the incredible amount of labor and skill that goes into creating woven art. The exhibition takes a comparative view of textiles from around the world, introducing the community significance of different designs and individual stylistic choices. The exhibition discusses how fiber art forms have changed as local and global markets develop, as well as the role that clothing can play in displays of nationalism and politics. Ultimately, Unraveled aims to inspire viewers to consider the benefits of hand-crafted works and foster an appreciation for the people behind the woven things we use and love each and every day.The exhibition features several new acquisitions, including three new works acquired from the Jalabil Maya women’s weaving collective during their artist residency last fall. It also features pieces on loan from our student curators, highlighting the significance of weaving and textile arts in their lives.Student Curators:Leila Bekaert ‘25 Oscar Brown ‘26 Kegan Foley ‘26 Emma Herwig ‘25 Bri Liddell ‘25 Gloria Liu ‘26 Meg McClenahan ‘25 Anna Miksis ‘25 Blanca Rivas ‘25 Aleksia Taci ‘25 Professor/Curator: Rebecca Mendelsohn - Apr 810:00 AMExhibition: A Thought Is A ThreadToday's Events | Picker Art Gallery, Dana Arts Center, 2nd floor
A Thought Is A Thread: Contemporary Artists Reworking Textile TraditionsMetaphors using the language of textiles are part of everyday idiomatic English: we follow threads on social media; storytellers weave tales or spin fantastic yarns; friend groups might be close-knit and and we might tie ourselves in knots trying to navigate complex situations. The history of textiles is intimately tied to the development of human societies. Weaving is at the same time one of the earliest human technological advancements, the foundation upon which modern industrial nations were built, and the basis for the computing revolution.A Thought Is A Thread brings together works by leading artists who investigate what textiles can still reveal about people and their relationships to each other, to themselves, and to language, land, and the future. Artworks by Faig Ahmed, Sanford Biggers, Diedrick Brackens, Melissa Cody, Suzanne Husky, Joy Ray, and Jordan Nassar present intertwining narratives that both cherish and complicate the web of meanings that emerge when traditional textile arts are given contemporary expression.Debuting at our opening, Picker Art Gallery welcomes members of the Colgate community to partake in Yarnival, a collaborative art experience. Yarnival will be on view and available for participation during the exhibition run of A Thought is a Thread, through May 18, 2025, in the upper atrium of the Dana Arts Center. Please stay tuned to our social media channels and website for more details on how to participate.A Thought Is A Thread is partially supported by funding from The Friends of Picker Art Gallery. - Apr 810:30 AMSuchi Reddy: Bias and Belonging ExhibitionToday's Events | Little Hall, Clifford Gallery (101 Little Hall)
Through an ongoing series of community conversations, the artist and architect Suchi Reddy has been in dialog with students, faculty, staff and townspeople throughout the 2024-2025 academic year to learn about the ways in which our encounters with reflection and misreflection in physical and digital spaces contribute to our experience of bias and belonging. A culmination of the year's conversations, Bias and Belonging poetically reframes the Colgate community's embodied experience of belonging in woven, textual and digital forms. Bias and Belonging is the latest iteration of Reddy's ongoing exploration into embodied states of being that reflect our individual and collective experience as we code switch and transform in evolving environments both digital and physical.Presented by the Art Department and the Christian A. Johnson Foundation*.Join us for the exhibition opening reception and gallery talk Friday, April 4, 4 p.m. (part of Arts, Creativity, and Innovation Weekend 2025).*The Christian A. Johnson Endeavor Foundation Artist-in-Residence was established in 1986 as a challenge grant in support of the arts at Colgate. The residency program permits one or more artists to become part of the Colgate community every academic year.*Please note: Weekend hours are dependent on the availability of student monitors. If driving a distance, please contact the department (315-228-7633), during regular working hours, to ensure the gallery will be open. The gallery is not open during university breaks and holidays.