Campus Life | Chapel House, Dining Room
We invite you to join us at Chapel House on Wednesday evenings to enjoy vegan chili and relaxation with Lily, our certified therapy dog!

Campus Life | Lawrence Hall, 305
Start your day with some quiet centering: 15 - 20 minutes of sitting guided meditation

Campus Life | Alumni Hall, 2nd floor
This exhibition, curated by 10 students in the Fall 2024 semester of MUSE 300: Museum Curating, features the themes of textiles and weaving. Showcasing works from the Longyear Museum of Anthropology’s basket and world textile collections, this exhibition explores the incredible amount of labor and skill that goes into creating woven art. The exhibition takes a comparative view of textiles from around the world, introducing the community significance of different designs and individual stylistic choices. The exhibition discusses how fiber art forms have changed as local and global markets develop, as well as the role that clothing can play in displays of nationalism and politics. Ultimately, Unraveled aims to inspire viewers to consider the benefits of hand-crafted works and foster an appreciation for the people behind the woven things we use and love each and every day.The exhibition features several new acquisitions, including three new works acquired from the Jalabil Maya women’s weaving collective during their artist residency last fall. It also features pieces on loan from our student curators, highlighting the significance of weaving and textile arts in their lives.Student Curators:Leila Bekaert ‘25 Oscar Brown ‘26 Kegan Foley ‘26 Emma Herwig ‘25 Bri Liddell ‘25 Gloria Liu ‘26 Meg McClenahan ‘25 Anna Miksis ‘25 Blanca Rivas ‘25 Aleksia Taci ‘25 Professor/Curator: Rebecca Mendelsohn

Campus Life | Picker Art Gallery, Dana Arts Center, 2nd floor
A Thought Is A Thread: Contemporary Artists Reworking Textile TraditionsMetaphors using the language of textiles are part of everyday idiomatic English: we follow threads on social media; storytellers weave tales or spin fantastic yarns; friend groups might be close-knit and and we might tie ourselves in knots trying to navigate complex situations. The history of textiles is intimately tied to the development of human societies. Weaving is at the same time one of the earliest human technological advancements, the foundation upon which modern industrial nations were built, and the basis for the computing revolution.A Thought Is A Thread brings together works by leading artists who investigate what textiles can still reveal about people and their relationships to each other, to themselves, and to language, land, and the future. Artworks by Faig Ahmed, Sanford Biggers, Diedrick Brackens, Melissa Cody, Suzanne Husky, Joy Ray, and Jordan Nassar present intertwining narratives that both cherish and complicate the web of meanings that emerge when traditional textile arts are given contemporary expression.Debuting at our opening, Picker Art Gallery welcomes members of the Colgate community to partake in Yarnival, a collaborative art experience. Yarnival will be on view and available for participation during the exhibition run of A Thought is a Thread, through May 18, 2025, in the upper atrium of the Dana Arts Center. Please stay tuned to our social media channels and website for more details on how to participate.A Thought Is A Thread is partially supported by funding from The Friends of Picker Art Gallery.

Campus Life | Little Hall, Clifford Gallery (101 Little Hall)
For alliances with the beaver people features an 11 meter-long embroidered tapestry that illustrates key moments in the history of beaver-human relationships, tracing how rivers evolve through collaborations between these two species. An explicit reference to the 11th-century Bayeux Tapestry that depicted 58 unique scenes of battle, Husky’s work uses this tapestry form to visualize cross-species mutuality and regeneration rather than battle. The exhibition also features a documentary film about the Vermont naturalist Patti Smith, who takes us into her world of beaver friends and teachers. For the exhibition reception on February 12, Husky will be joined by a panel of researchers, writers, and naturalists (including Patti Smith) to discuss beaver ecologies and the future of their watersheds.In collaboration with Picker Art Gallery. Co-sponsored by Colgate Arts Council, University Studies, Environmental Studies, Film and Media Studies, Biology, Romance Languages and Literatures, Geography, and HistoryPlease note: Husky will also be exhibiting a textile work entitled La Noble Pastoral in Picker Gallery's A Thought Is A Thread: Contemporary Artists Reworking Textile Traditions, on exhibit February 21 through May 18.*Please note: Weekend hours are dependent on the availability of student monitors. If driving a distance, please contact the department (315-228-7633), during regular working hours, to ensure the gallery will be open. The gallery is not open during university breaks and holidays.

Campus Life | Case-Geyer Library, Flex Room (5th floor)
Phil Haynes (b. June 15, 1961, OR) is a 25 year veteran New York based artist now teaching at Pennsylvania’s Bucknell University. Haynes is featured on some 90 LP and CD releases by numerous American and European record labels. The international media have compared his drumming to masters Jack DeJohnette, Roy Haynes and Elvin Jones, and his compositions to Duke Ellington, Charles Ives, Charles Mingus and the Art Ensemble of Chicago. His recording credentials include many of the seminal musicians of this generation: saxophonists Anthony Braxton, Ellery Eskelin, and David Liebman; trumpeters Dave Douglas, Herb Robertson, and Paul Smoker; bassists Mark Dresser, Ken Filiano, and Drew Gress; keyboard artists David Kikoski, Denman Maroney, and Michelle Rosewoman; guitarists Ben Monder, Steve Salerno, and Jim Yanda; vocalists Theo Bleckman, Nicholas Horner, and Hank Roberts; violinist Mark Feldman, and the composers collective Joint Venture. Current Haynes touring ensembles include his: definitive saxophone trio, No Fast Food, featuring NEA jazz master David Liebman; romantic Americana string band, Free Country, featuring vocalist/cellist Hank Roberts; Double Bill, w/trumpeters Thomas Heberer & Herb Robertson with bassist Ken Filiano; plus the romantic piano trio, Day Dream, a cooperative with Yamaha artist Steve Rudolph and Drew Gress.Peyton Pleninger (b. April 7, 1996, PA) studied in High School with Anthony Tidd through the Kimmel Center Creative Music Program. During this time he also began studies with Steve Coleman. Upon his arrival in New York City in 2015, Pleninger formed the first iteration of his band Biotonic, performing throughout NYC at such venues as The 55 Bar, The Jazz Gallery, and Seeds Brooklyn, while releasing Heartbeat Music (2017), extro (2016), and alive (2019). Pleninger worked as a mentee of Milford Graves, from spring 2019 until Graves’ passing in early 2021, helping Graves prepare artwork and archival materials for his retrospective exhibit Milford Graves: A Mind Body Deal at the ICA Philadelphia, Heart Harmonics: Sound, Energy and Natural Healing Phenomena at the Fridman Gallery, and Milford Graves: Fundamental Frequency at Artist's Space. Plenninger also performed with Henry Threadgill’s "One" and "The Other One", as well as working with John Benitez’ Latin-Bop, Roy Ben Yosef's Moringa trio, Colin Hinton’s Glassbath, Michel Maurer’s Meridian, Quinn Bachand’s Brishen, among many. Highlight performances include the Toronto Jazz Festival, Montreal International Jazz Festival, and CBC Canada.Hilliard Greene (b. February 26, 1958, IA) originally studied at the Berklee College of Music and at the University of Northern Iowa, including privately with trumpeter Paul Smoker and bassist Ron Rohovit. As a young professional, Hill worked as musical director for singer Jimmy Scott for more than 20 years. With Cecil Taylor, he served as concertmaster for the ensemble Phtongos and played in the trio with pianist Don Pullen. He has also appeared on notable recordings by Charles Gayle, Billy Bang, Dave Douglas, Marc Edwards, William Hooker, Klaus Kugel, Jameel Moondoc, Perry Robinson, and Patrick Brennan. Under his own name, Hill recorded three albums with The Jazz Expressions. He also recorded with Steve Swell & Gebhard Ullmann’s quartet featuring Barry Altschul. In 2003, Hill released his solo album Alone. Besides a richly diverse international touring schedule, Hill currently works as a music instructor at the Bass Collective in New York City, where he presents master classes and gives private lessons in double bass and bass guitar.