Academics | Ho Tung Visualization Lab, 401 Ho Science Center
Pink Floyd's legendary album returns, using all the capacities of the Museum's high-definition, full-dome video system. Fantastic sound and incredible images create an unforgettable experience. It's not just a laser show, it's a totally new digital revolution in sight and sound surrounding you, immersing you and losing you in the Dark Side of the Moon.This unique video experience is provided by Starlight Productions.

Academics | Lathrop Hall, 107 (Conference Room)
How do our grading practices align with the learning goals we set for our students? What challenges do we face when balancing fairness, transparency, and motivation in assessment? How can grading approaches support students in becoming reflective learners? In what ways might rethinking traditional grading practices lead to deeper engagement and equity? Join us for an open discussion about the relationship between grading and learning. This teaching table offers a space to explore diverse perspectives on grading strategies, feedback, and the ways assessment can support (or hinder) student growth. Facilitated by Colgate faculty, the conversation will provide an opportunity to exchange practical ideas and reflect on the impact of grading practices on both teaching and learning.To help us plan for an appropriate amount of food, we kindly ask you to register for the event.

Academics | Digital Learning and Media Center (DLMC), Case-Geyer 548
In this session, we will take a journey from having an idea for a 3D object to beginning the physical print process. We’ll cover how to create 3D models using simple online software (TinkerCAD), and demo a couple of advanced options. We’ll then talk about how to slice your model for printing using free software (FlashPrint 5) and how to operate the public 3D printers outside of the Digital Learning and Media Center in Case-Geyer.

Academics | Center for Women's Studies, The Lounge at East Hall
Join the 2024-25 Christian A. Johnson Artist-in-Residence* Suchi Reddy for lunch and conversation about the Bias and Belonging project she is creating at Colgate University. Reddy visits Colgate this year to host a series of community conversations centered on how the dualities of bias and belonging, reflection and misreflection are amplified by the exponentially increasing presence of artificial intelligence in every aspect of our daily lives. We invite you to join in the conversation to share your lived experience of advanced technology and AI.Presented in collaboration with the Women’s Studies Brown Bag Series.*Presented by the Art Department and the Christian A. Johnson Foundation. The Christian A. Johnson Endeavor Foundation Artist-in-Residence was established in 1986 as a challenge grant in support of the arts at Colgate. The residency program permits one or more artists to become part of the Colgate community every academic year.

Academics | Lawrence Hall, The Robert Ho Lecture Room,105
What does it mean to be "Inside" Tenement Time? This talk uses the tenement, metonymically and conceptually, to theorize the marginalized spaces of Jamaica’s capital city. It brings together literary, visual, and other cultural expressions that offer vernacular refusals of state surveillance. Drawing from her recently published book, Kezia Page argues that in its strategies of refusal, the tenement reorders common ideas of time and its relationship to being in the world. Approaching the problem of class and its relation to surveillance in this way exposes the deep fissures between ways of knowing that continue to separate the state and its citizens. Kezia Page, John D. and Catherine T. MacArthur Chair; Associate Professor of English and Creative Writing & Africana and Latin American Studies; Director of Africana and Latin American Studies. Refreshments provided. All are welcome.

Academics | Little Hall, 105 (Golden Auditorium)
How do transformations in technical imaging recast our experience of the corporeal? This film program gathers together short, experimental works exploring scenes of physical exhilaration and disintegration, probing the intimate interventions made by technology into the body: its appetites, its vulnerabilities, and its display. We are invited to consider the civilizational logics that organize human beings for combat, entertainment, and pleasure.Co-sponsored by Film and Media Studies