The Arts | The Coop – O'Connor Campus Center, TV ROOM
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The Arts | Clifford Gallery, Clifford Gallery (101 Little Hall)
2023/2024 Christian A. Johnson Endeavor Foundation Artist-in-Residence jackie sumell and Studio CAJAIR present “The Locker Room.”Artist jackie sumell works at the intersection of social sculpture, abolition and healing. With the principle of abolition always in mind, sumell inhabits the physical materials and architectures of oppression and transforms these physical structures into lived spaces of radical hope.For The Locker Room, a work created especially for Colgate University, sumell worked with a team of students who go by Studio CAJAIR (an anagrammatic nod to the Christian A. Johnson Endeavor Foundation Artist-In-Residence program, which underwrites this work). Together, sumell and Studio CAJAIR spent the academic year considering the relationship between athletics and activism, ultimately recreating the architecture of a locker room to envisage how sports and locker rooms can be horizons of liberation. They ask, “What happens if the locker room becomes public, seeded with the best of its potential? Can we make the lockers themselves altars to the future[s] we wish to see?”sumell and Studio CAJAIR, along with students they invited from Art & Activism (ARTS 132A), transformed 12 lockers into altars to future worlds. They imagine everything from ecological justice, racial equity, and classless societies to happiness after retirement, as wins.The Locker Room is presented by the Art Department and the Christian A. Johnson Foundation. The Christian A. Johnson Endeavor Foundation Artist-in-Residence was established in 1986 as a challenge grant in support of the arts at Colgate. The residency program permits one or more artists to become part of the Colgate community every academic year.Opening reception and gallery talk with jackie sumell and Studio CAJAIR will take place at 4:30 p.m. on Wednesday, March 27.Please note that weekend gallery hours are dependent on the availability of student monitors. If driving a distance, please contact the department at 315-228-7633 during regular working hours to ensure the gallery will be open.Learn more at https://www.cliffordgallery.org/

The Arts | Dana Arts Center, Second Floor
The Collections: What is the role of an art museum on a liberal arts college campus? Since 2013, the collections at Picker Art Gallery have been shifting. Moving away from traditional models of collecting, the museum today holds a larger proportion of artworks by women, BIPOC, LGBTQ+ artists and others whose creativity and stories have historically been left out of museum collections.The Core: The revision of Colgate’s Core Curriculum represents the essence of the university’s liberal arts commitments to diversity, equity, and inclusion. Introduced in 2022, the revised Core curriculum has a stronger focus on exposing students to diverse forms of knowledge. Most notably, a new course called Core Conversations was created. Based on five globally significant “texts,” it lays out the common ground for intellectual discussions within the Colgate community. Core Conversations focus on productive discourse and communal learning among students, encouraging them to engage in perspectives and dialogues beyond the limits of personal experience.Core Collections: This is not a typical museum experience. The gallery has been transformed into a space for open-ended dialogue. Visitors will not find a lot of text interpreting the artworks; rather, we pose a series of questions, designed to elicit individual reflection and initiate discussions across communities, identities, and materials.. The exhibition is organized into four broad areas of inquiry: Appearances, Epistemologies, Urbanism and Labor, and People and Land. We encourage you to engage with the questions provided while viewing the works, and to contribute your insights or your own questions to our interactive space.What will you add to the conversation?Core/Collections is curated by Emma Barrison ’24, Cindy Chen ’24, and Wendy Wu ’25

The Arts | Clifford Gallery, Clifford Gallery (101 Little Hall)
2023/2024 Christian A. Johnson Endeavor Foundation Artist-in-Residence jackie sumell and Studio CAJAIR present “The Locker Room.”Artist jackie sumell works at the intersection of social sculpture, abolition and healing. With the principle of abolition always in mind, sumell inhabits the physical materials and architectures of oppression and transforms these physical structures into lived spaces of radical hope.For The Locker Room, a work created especially for Colgate University, sumell worked with a team of students who go by Studio CAJAIR (an anagrammatic nod to the Christian A. Johnson Endeavor Foundation Artist-In-Residence program, which underwrites this work). Together, sumell and Studio CAJAIR spent the academic year considering the relationship between athletics and activism, ultimately recreating the architecture of a locker room to envisage how sports and locker rooms can be horizons of liberation. They ask, “What happens if the locker room becomes public, seeded with the best of its potential? Can we make the lockers themselves altars to the future[s] we wish to see?”sumell and Studio CAJAIR, along with students they invited from Art & Activism (ARTS 132A), transformed 12 lockers into altars to future worlds. They imagine everything from ecological justice, racial equity, and classless societies to happiness after retirement, as wins.The Locker Room is presented by the Art Department and the Christian A. Johnson Foundation. The Christian A. Johnson Endeavor Foundation Artist-in-Residence was established in 1986 as a challenge grant in support of the arts at Colgate. The residency program permits one or more artists to become part of the Colgate community every academic year.Opening reception and gallery talk with jackie sumell and Studio CAJAIR will take place at 4:30 p.m. on Wednesday, March 27.Please note that weekend gallery hours are dependent on the availability of student monitors. If driving a distance, please contact the department at 315-228-7633 during regular working hours to ensure the gallery will be open.Learn more at https://www.cliffordgallery.org/

The Arts | Clifford Gallery, Clifford Gallery (101 Little Hall)
2023/2024 Christian A. Johnson Endeavor Foundation Artist-in-Residence jackie sumell and Studio CAJAIR present “The Locker Room.”Artist jackie sumell works at the intersection of social sculpture, abolition and healing. With the principle of abolition always in mind, sumell inhabits the physical materials and architectures of oppression and transforms these physical structures into lived spaces of radical hope.For The Locker Room, a work created especially for Colgate University, sumell worked with a team of students who go by Studio CAJAIR (an anagrammatic nod to the Christian A. Johnson Endeavor Foundation Artist-In-Residence program, which underwrites this work). Together, sumell and Studio CAJAIR spent the academic year considering the relationship between athletics and activism, ultimately recreating the architecture of a locker room to envisage how sports and locker rooms can be horizons of liberation. They ask, “What happens if the locker room becomes public, seeded with the best of its potential? Can we make the lockers themselves altars to the future[s] we wish to see?”sumell and Studio CAJAIR, along with students they invited from Art & Activism (ARTS 132A), transformed 12 lockers into altars to future worlds. They imagine everything from ecological justice, racial equity, and classless societies to happiness after retirement, as wins.The Locker Room is presented by the Art Department and the Christian A. Johnson Foundation. The Christian A. Johnson Endeavor Foundation Artist-in-Residence was established in 1986 as a challenge grant in support of the arts at Colgate. The residency program permits one or more artists to become part of the Colgate community every academic year.Opening reception and gallery talk with jackie sumell and Studio CAJAIR will take place at 4:30 p.m. on Wednesday, March 27.Please note that weekend gallery hours are dependent on the availability of student monitors. If driving a distance, please contact the department at 315-228-7633 during regular working hours to ensure the gallery will be open.Learn more at https://www.cliffordgallery.org/

The Arts | Little Hall, 105, Golden Auditorium
In the contemporary sense, sentiment analysis entails the widespread surveillance of data such as social media users’ posts and actions to determine how they feel. Sentiment analysis, however, has a long history and is—has always been—notoriously error-prone. This talk, “How Are You? Sentiment, Surveillance, and Anti-Asian Racism,” explores the early- to mid-20th century history and practice of sentiment analysis as a method to make surveillance feel like freedom and democratic engagement. These methods were developed in factory lab settings and in U.S. WWII internment camps, in which all Japanese nationals and Japanese Americans who lived on the West Coast were interned. It also reveals that many workers and internees engaged with this structure disaffectedly, acting in ways that both buttressed and called into question the accuracy of sentiment analysis. Sentiment analysis, it argues, is both accurate enough to justify surveillance and faulty enough to justify further surveillance. Wendy Hui Kyong Chun is Simon Fraser University’s Canada 150 Research Chair in New Media, professor in the School of Communication, and director of the Digital Democracies Institute. At the Institute, she leads the Mellon-funded Data Fluencies Project, which combines the interpretative traditions of the arts and humanities with critical work in the data sciences to express, imagine, and create innovative engagements with (and resistances to) our data-filled world. She has studied both Systems Design Engineering and English literature, which she combines and mutates in her research on digital media. She is the author of many books, including: Control and Freedom: Power and Paranoia in the Age of Fiber Optics (MIT, 2006), Programmed Visions: Software and Memory (MIT 2011), Updating to Remain the Same: Habitual New Media (MIT 2016), and Discriminating Data: Correlation, Neighborhoods, and the New Politics of Recognition (2021, MIT Press). She has been professor and chair of the Department of Modern Culture and Media at Brown University, where she worked for almost two decades and is currently a visiting professor. She is a Fellow of the Royal Society of Canada, and has also held fellowships from: the Guggenheim, ACLS, American Academy of Berlin, Radcliffe Institute for Advanced Study at Harvard.