First-Generation Week: Faculty, Staff & Student Mixer
Tuesday, November 5, 2024 11:30 AM – 1:00 PM
Description
Join us for a meaningful faculty, staff, and student mixer as part of First-Generation Week! Let’s celebrate our shared experiences over a delicious lunch and meaningful conversation, building connections as we lead up to National First-Generation Day on November 8. Whether you’re here to share stories, find support, or simply enjoy some good company, this event is all about coming together as a first-gen community!
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The time has come. Join nonpartisan student groups, the Colgate Vote Project and Democracy Matters, for an Election Night Party! Enjoy food, games, and respectful conversation as we watch the votes roll in.This will be a non-partisan space. All are welcome.Visit Vote.org where you can:Check your voter statusFind your polling placeReceive election reminders - Nov 6All dayWatch PartyCampus Life | Bernstein Hall, Experimental Exhibition and Performance Studio
On April 8, 2024, a solar eclipse transited across central New York - its path of totality falling only a few miles from Colgate's campus. Spectating this astronomical phenomenon became a mass social event: nearly a million people flocked to the region.Watch Party, an immersive multi-channel video installation, recreates this event, capturing the scene on the ground rather than the skies.Co-sponsored by Alternative Cinema and Film and Media Studies - Nov 68:30 AMGuided Morning MeditationCampus Life | Chapel House, Meditation Space
Please join us for morning guided meditation from 8:30 a.m. to 8:45 a.m. Monday to Friday.No experience required. - Nov 69:00 AMDeStress Donuts at the COVECampus Life | Lathrop Hall, 109B, COVE Lounge
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Entangled Intimacies: Tradition, Motion, and Memory is an exhibition inspired by the introductory course of the revised Africana and Latin American Studies curriculum (ALST 199), this exhibition highlights connections among coastal communities of the Atlantic and Pacific. Works from the Caribbean, West Africa, Latin America, and the Pacific Islands feature shared themes of trans-oceanic communication, diasporas, transnationalism, colonialism, and resistance. This exhibition aims to provide space for multiple perspectives through public label submissions (ask a staff member!). Keep coming back, as new labels will be added throughout the semester.This exhibition is curated by Summer Frazier and Rebecca Mendelsohn. - Nov 610:00 AMWar, Revolution, and the Heart of China, 1937-1948Campus Life | Picker Art Gallery, Dana Arts Center, 2nd floor
War, Revolution, and the Heart of China, 1937–1948: The Herman Collection of Modern Chinese WoodcutsThis exhibition, an in-depth examination of the modern woodcut movement in the decades leading up to the founding of the People’s Republic of China, will be the first time that one of Picker Art Gallery’s most singular and important collections will be shown in its entirety.The Herman Collection of Modern Chinese Woodcuts contains over 200 works made in China between 1937 and 1948. They were given to The Picker Art Gallery by Professor Emeritus Theodore Herman, who lived in the country during this period, and his wife, Evelyn Mary Chen Shiying Herman. Professor Herman taught at Colgate from 1954 to 1981 in the Geography Department and was the founding director of the Peace and Conflict Studies Program.Coinciding with the 75th anniversary of the founding of the People’s Republic of China in 1949, the exhibition of the Herman collection is an extraordinary resource for the study of Chinese art and of pre-Liberation history. The prints in the exhibition can be seen as direct links to the historical events taking place in China in the years leading up to Liberation. Images made between 1937 and 1945 in areas controlled by the Chinese Nationalist forces during the Second Sino-Japanese War chronicle the progress of the war and promoted good relations between the army and the people; others, produced in the areas controlled by the Communist Red Army, encourage resistance against the Japanese but also illustrate how Chinese society could be transformed through socialism; those prints produced during the Civil War expose many injustices amid the post-war social and political upheavals. Finally, many of the images in the exhibition explore wide-ranging subjects and a variety of techniques that offer glimpses into quotidian Chinese life during this period.This exhibition is curated by Leslie Ann Eliet.